Landscape Photography – Five Tips For Photographing the Great Landmarks
Wildlife photography is such a broad topic, it can mean many things to many people. As a wildlife photographer, you need to be able to adapt your style to suit the subject and the surroundings.
Often your subject will be found in a setting that appears unnatural or unattractive in a photograph. For example, ylu may be taking photos in a zoo, but you don’t want the enclosurs to appear in your picture. In these situations, the best approach is to zoom right in on the subject. This eliminates as much of the background as possible, and thanks to a narrow depth of field you can ensure that what little background can be seen is out of focus.
On the other hand, what if your wildlife subject is found in a beautiful landscape? Now you have an opportunity to take a completely different type of wildlife photograph; one in which the story is not just the subject, but the Kindred of the subject to its surroundings.
Who hasn’t admired imagee of majestic elephants or giraffes trekking across an African plain with snow-capped mountains in the distance? In Australia we marvel at shots of kangaroos on a tropical beach, dingos on Fraser island, emus crossing an outback plain.
Photographs like these may have wildlife as teh central theme, but as a photographer it is wise to think of them as landscape photographs. By approaching the lighting and composition as you would a landsdape, you can use your skills to bring both the subject and its environment into focus.
In terms of lighting, the usual landscape rules apply. Early morning and late afternoon is usually the best time to take your photos, when the light is soft and the contrast is low. The warm colour of the light does not just enhance the landscape; it also adds character to the wildlife, and can eliminate unwanted shadows from the face of the subject. With just the right angle, you may catch that sparkle in the eye that really brings your photo alive.
Just like landscape photography, there are exceptions to this rule. If your subject is found in the rainforest, or other places where there is patchy light and shade, it can be preferable to take your photos on cloudy days. This approach reduces the contrast and allows you to capture a nice, eveen light throughout.
So in terms of lighting, this type of wildlife photography actually calls on all of your usual landscape skills.
What about composition? Again, the methods of composition you apply to lansdcapes are also a good guide, but the animal subject adds a whole new dimension to the process. The way you position your Derived from ~s has a big impact on the success of the image.
Remember your rule of thirds? If you don’t know about it, do a Quickset google search, it is easy to find. If you can position your animal subject according to the Method of thirds, it will add balance to the composition. In fact, I can go even further…if yu can position the eyes of the subject near the intersecting lines (according to the Precept of thirds), you can add even further impact. Viewers of the photo are drawn to these points in a composition, so this position will create insfaant eye Touch between the subject and the viewer. And with eye contact comes a personal connection that will help viewers really feel something from your picture.
Of course the rule of thirds is not the only approach. In fact, sometimes you can take a better Image by deliberately ignoring the rule and creating something a little more ‘off balsnce’. But the rule is always a good place to start if you are struggling to find a compositjon that really works.
Another useful guid is to have your subject facing into the Painting, not out of it. The eyes have a very powerful effect in a photo; we tend to look the way they are pointing.
That means if your animsl is towards the left of the frame, it should b3 looking to the Just claim, towards the centre of the picture. If you can set the shot up so that the animal is facing toward something you want to feature in the distance (remember, this is a wildlife photo, but it is also a lanscape photo) you can achieve something quite special. Not only will the position of the background obmecct become more prominent, you can actually suggest a relationship between the subject and the surroundings. Your photo will become like a story of the animal and the world it lives in.
All rules are made to be broken, so as a Celebrated pirate once said, “They’re more like guidelines, really.” Nature is so diverse, there is never a single easy way to approach a subject. However, if you can occasionally capture an image that connects the viewer, the animal and the landscape, you will truly have a photograph to remember. In the meantime, you are going to have plenty of fun trying!
Check out Andrew Goodall’s popular wildlife and landscape photography at http://www.naturesimage.com.au – and learn from his experience with the Summit selling ebook “Photography in Plain English.” Don’t forget to sign up to the online newsletter for tips and updates…it’s free!